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Rhythm & Sound “Density” (Rhythm & Sound) (36:25)ġ1. Mark Ernestus’ Ndagga Rhythm Force “Yermande” (Ndagga) (30:30)ġ0. Betrieb “Maria Einsiedel” (Klang Electronic) (28:05)Ġ9. Anne-James Chaton “In The ISS” (Raster Noton) (25:17)Ġ8. Calibre “Lost” (The Nothing Special) (16:05)Ġ6. Alexey Nikitin “Na Sever” (Gost Zvuk) (7:20)Ġ4. Lapti & Nocow “Sirenas” (Gost Zvuk) (4:23)Ġ3.
Modeselektor “Fake Emotion” (Dabrye remix) (BPitch Control) (0:00)Ġ2. Playing the music I love for people all around the world.Ġ1. This is the exact opposite of a club mix, it’s actually a non-club mix. How does the mix compare to one of your club mixes? Where is the mix supposed to be listened to?Īt home, in a car, on a flight, or while going for a run. I wanted to do a mix of the music I listen to at home, but can never seem to play in a club. I did the mix in one take, no edits, no computer.Ĭould you tell us about the idea behind it-was there a clear concept in mind? Two technics, two CDJ’s, and my old Allen & Heath Xone 62 mixer that I bought when I still lived in Detroit. The mix was recorded on a rainy Wednesday afternoon in my home studio in Berlin. His sound, as those who have seen him play, remains bassline-driven techno and house reduced to their essence, thoughtfully calibrated to drive crowds out of their minds-but today he uses the XLR8R platform to present something rather different: a mix of the music he listens to at home but that he can “never play in a club.”Though reflective of a different side of Elliott’s character, it’s just as enjoyable as all that has come before.
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“The connection isn’t just in the music, but also in both cities rough edges and honest hearts.”Īs a selector, there’s a reason Elliott is so highly regarded: justification of his skills was laced throughout his 2014 Panorama Bar compilation, a quite stunning addition to the acclaimed series that was voted RA‘s top mix of 2014-and his 2016 fabric mix was also remarkable. “Berlin and Detroit may not look the same, but they feel the same,” he says. Having spent his earlier years in the States-where he held legendary residencies at Ann Arbor’s Goodnight Gracies and Detroit’s Shelter-he moved to Berlin in 2009 to further his focus on DJing and production from a newly international perspective. They don’t hand out ‘DJ’s DJ’ reputations at the club door, and Elliott’s is well-earned and well-deserved. “It must be the right track at the right time, delivered in the right way.” Few know this better than Elliott, whose distinction as an internationally respected DJ, and remixer has grown steadily over his decade-plus behind the decks. She completed a Master's in Composition for Screen at the Royal College of Music in London studying with Academy Award winners Dario Marianelli and Gabriel Yared and has assisted George Fenton on the BBC series “Life” narrated by David Attenborough, which was nominated for an Ivor Novello Award.ġ3.“What matters most, above all else, is what comes through the speakers,” says Detroit’s Ryan Elliott. In 2001 she was awarded a SOCAN prize for Young Composers of Canada. She obtained Bachelor degrees in English Literature and Music at McGill University in Montreal where she experimented with contemporary music techniques. Since then she has composed music for the BBC, C4, five, A&E, History Channel, Discovery, National Geographic and Sky Movies, as well as a range of independent films.Īnne was born in Canada to Romanian and Polish parents and grew up in various countries around the world. The prize was a commission to score a BBC Natural World film, White Falcon, White Wolf, which won a Merit Award for Music at the Missoula Wildlife Film Festival.
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In 2006, Anne won the BBC New Talent, New TV Composers Scheme.
Other recent films include the award-winning series Locked Up Abroad for National Geographic Wootton Bassett: The Town That Remembers by acclaimed director Henry Singer for BBC One America: the Story of Us, a landmark series for the History Channel introduced by Barak Obama and Crusaders: Back From the Dead directed by Matthew Catling for Channel4. It was officially selected for Sundance Film Festival 2012 and has been considered one of the hottest films this summer. She has recently scored "The Imposter", a feature film directed by Bart Layton produced by Film4 and A&E Indie Films, which opened in cinemas across North America and the UK this summer.
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Artist: Anne Nikitin Title: Calibre (Original Motion Picture Soundtrack) Year Of Release: 2018 Label: MovieScore Media Genre: Soundtrack Quality: MP3 320 kbps / FLAC (tracks) Total Time: 31:52 min Total Size: 74 / 135 MB WebSite: Album PreviewĪnne Nikitin is an award-winning composer who has scored a wide range of films from action-packed thrillers to emotional dramas, quirky comedies and epic natural history productions.
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